You are currently viewing “Suffered Emotional Discontentment-Meena Kumari”

“Suffered Emotional Discontentment-Meena Kumari”

Spread the love

By Jagmohan Singh Barhok

On Her 90th Birth Anniversary

दूर हुआ गम का नशा
मुझको ख़ुशी मिल गयी
झूम उठी दुनियां मेरी
दिल की कली खिल गयी
दिल मेरा लेने लगा अंगड़ाइयाँ

आ गए वो आ गए
वो मिट गयी तन्हाईयाँ
दिल में बजी प्यार की शहनाइयाँ

If Dilip Kumar was called ‘Tragedy King’, Meena Kumari could well be called the “Tragedy Queen” of Hindi films. Infact, she was a ‘Brand’ in her own right. An actress who made many a million smile with her acting prowess, symbolized pity or sadness throughout her career spanning more than thirty-years, and so successfully ,too. Tears came naturally in her eyes. She never used Glycerin.


Her failed marriage , coupled with emotional discontentment, turned her into a virtual recluse. She tried to find happiness in the arms of young Dharmendra. Unfortunately, it did not work as he, too, was married & had children. Her brief liaison with Sawan Kumar Tak, towards the fag end of her career, ignited a thin ray of hope but here too luck eluded her. Sawan Kumar Tak was also married. “Gomti Ke Kinare” , produced & directed by Tak, was Meena Kumari’s last film.

She died before the release of the film. Her other film, former husband Kamaal Amrohi’s magnum-opus, “Pakeezah” received positive reviews and was declared a hit with some of the best ‘mujras’ & luxurious sets to boast.

Meena Kumari hit the limelight with Vijay Bhatt’s “Baiju Bawra” (1952) opposite Bharat Bhushan , winning her first Best actress Filmfare Award. It was followed by another for her role in “Parineeta” (1953), directed by Bimal Roy featuring Ashok Kumar. Meena Kumari who later did hits like- “Azaad”,”,”Yahudi”, “Kohinoor”, “Dil Apna Aur Preet Parai”, “Miss marry”, “Foot Path”, “Dil Ek Mandir”, “Shararat”, “Ek Hi Raasta” , “Kaajal” & Guru Dutt’s “Sahib Bibi Aur Ghulam”, became a potential threat to most actors as many of them refused to work opposite her lest they lose recognition and lustre. She was seen as a ‘Star Maker’ as well as ‘Star Breaker’.

Her portrayal of ‘Chhoti Bahu’ in the classic “Sahib Bibi Aur Ghulam” reflected sufferings and unhappiness she endured in her life. The film won four Filmfare Awards, including the Best Actress Award . I was lucky enough to have seen the actress shoot at Nainital during the making of “Bheegi Raat” & later at Kashipur, in Uttar Pradesh (where my father was then posted), during the making of “Majhli Didi” starring Dharmendra at the farm house of P. N. Mehta, Director Escorts Limited. Dharmendra later purchased a farm house at Kashipur.

Meena Kumari began acting when she was four. When she grew she was required to support her family.Vijay Bhatt cast her in “Leatherface” (1939) starring Jairaj & Mehtab. He later cast her in his other films -‘Adhuri Kahani’ (1939), ‘Pooja’ (1940) and ‘Ek Hi Bhool’ (1940). Mahajabeen became Meena Kumari on Bhatt’s insistence during the making of “Ek Hi Bhool”. Vijay Bhatt later cast her opposite Bharat Bhushan in blockbuster “Baiju Bawara” (1952).

Dev Anand seemed too fascinated by the actress. “She was stunning & her eyes emitted fire. She looked sensuous, too”, he had once said about her. Meena Kumari won four Filmfare Best Actress Awards including twelve Best Actress Nominations. Died in the prime of her life at the age of 39.

Born Mahjabeen Bano this day in 1933 in Bombay.

Jagmohan Singh Barhok

Leading Film , Fashion ,Sports & Crime Journalist Up North. Active Since 1971.Retired Bank Officer. Contributed more than 7000 articles worldwide in English, Hindi & Punjabi languages on various topics of interesting & informative nature including people, places, cultures, religions & monuments. Ardent Music lover.

Leave a Reply